About the Artist

Caitlin McCormack (b. 1988) is a Philadelphia-based artist who utilizes textiles to explore queerness, isolation, loss, and existential dread through an uncanny, occasionally humorous lens. Their sculptures contemplate societal reluctance to view gendered craft as art and regard crochet as a behavioral response to apocalyptic conditions. Drawing inspiration from folklore, medieval botanical imagery, institutional osteological displays, science fiction and cinematic body horror, each object is an artifact of a memory, tethered to a surface and made viewable from a distance.

McCormack has contributed works to solo and group exhibitions at Elijah Wheat Showroom, Hashimoto Contemporary, The Mütter Museum, Museum Rijswijk, The Mesa Contemporary Art Museum, The Taubman Museum of Art, The Fort Wayne Museum of Art, Feinkünst Krüger, Field Projects, SPRING/BREAK Art Show, and Future Fair in NYC. Their sculptures have appeared in publications including The New York Times, Hyperallergic, Juxtapoz, Whitehot Magazine, Smithsonian, and Bust Magazine. In addition to holding teaching positions at The Pennsylvania Academy of the Fine Arts and Hussian College of Art and Design, McCormack has participated in artist residencies at ChaNorth (NY), The Peter Bullough Foundation (VA), The Wassaic Project (NY), Byrdcliffe Artist Colony (NY), and Monson Arts (ME). McCormack was the recipient of a Joseph Robert Foundation grant in 2021 and received the Woodmere Art Museum’s Maurice Freed Memorial Prize in 2023.